Seleccionar el ejemplar

  • NEUE AUSGABE SÄMTLICHER WERKE.KIRCHENSONATEN | MOZART, WOLFGANG AMADEUS | Libro | BÄRENREITER | ENSEMBLEMUSIK KAMMERMUSIK I | NO PRESTABLE
  • NEUE AUSGABE SÄMTLICHER WERKE.KLAVIERMUSIK | MOZART, WOLFGANG AMADEUS | Libro | BÄRENREITER | NO PRESTABLE
  • NEUE AUSGABE SÄMTLICHER WERKE.ORCHESTERWERKE I | MOZART, WOLFGANG AMADEUS | Libro | BÄRENREITER | NO PRESTABLE
  • NEUGE AUSGABE SÄNTLICHER WERKE 12. ORCHESTERWERKE II | MOZART, WOLFGANG AMADEUS | Libro | BÄRENREITER | NO PRESTABLE
  • NEVE MUSIK. HEFT 9. NEVE VIOLIN DUOS | DOFLEIN, ERICH | Libro
  • NEW METHOD FOR THE DOUBLE BASS | SIMANDL, F. | Libro | FISCHER
  • NEW METHOD FOR THE DOUBLE BASS. BOOK II | SIMANDL, F. | Libro | FISCHER
  • NEW TUNES FOR STRINGS. BOOK ONE | FLETCHER, STANLEY | Libro
  • NEW TUNES FOR STRINGS. TEACHER S BOOK ONE | FLETCHER, STANLEY | Libro
  • NEW TUNES FOR STRINGS. VIOLIN. BOOK TWO | FLETCHER, STANLEY | Libro
  • NEW TYNES STRINGS | FLETCHER, STANLEY | Libro | BOOSEY & HAWKES
  • NIGHT IN THE BARE MOUNTAIN | MUSSORGSKY, MODEST | Libro | EULENBURG
  • NIGHT ON BALD MOUNTAIN | MUSSORGSKY, MODEST | Libro | MASTERS MUSIC PUBLICATIONS
  • NIGHT TRAIN | FORREST, JIMMY | Libro
  • NINE STUDIES FOR TROMBONE | PFLEGER | Libro | I.M.C.
  • NINETEENTH-CENTURY EURIPEAN PIANO MUSIK | GILLESPIE, JOHN | Libro | DOVER
  • NOCHE DE PAZ Y CINCO VILLANCICOS MÁS | ASINS ARBÓ, MIGUEL | Libro | REAL MUSICAL
  • NOCHE DE PAZ Y CINCO VILLANCICOS MÁS | ASINS ARBÓ, MIGUEL | Libro | REAL MUSICAL
  • NOCTURNE AND MARCH | MENDELSSOHN, FELIX | Libro | ALFRED
  • NOCTURNE D'AUTOMNE | LEGIDO, JESÚS | Partitura | UNIVERSIDAD DE ALCALÁ DE HENARES | Música de Cámara. | Música de cámara. Dúo. Flauta y Guitarra. | Encargo del centro para la difusión de la música contemporánea
  • NOCTURNES | CHOPIN, FREDERIC | Partitura | KÖNEMANN MUSIC BUDAPEST
  • NOCTURNES | DEBUSSY, CLAUDE | Libro | MÚSICA BUDAPEST
  • NOCTURNO | MORENO TORROBA, FEDERICO | Libro | SCHOTT
  • NOCTURNOS | ZARATE, JOSÉ | Libro | para piano
  • NOCTURNOS | FAURE, GABRIEL | Libro | IN.MUSIC.COMP
  • NOCTURNOS | CHOPIN, FREDERIC | Libro | PADEREWSKY
  • NOCTURNOS DE BARATARIA | ZARATE, JOSÉ | Libro | DIPUTACIÓN PROVINCIAL DE TOLEDO | para piano
  • NON SILENTE | PÉREZ MASEDA, EDUARDO | Partitura | JUAN MARCH | Música de Cámara. | Música de cámara. Noneto. Clarinete sib, Trompa fa, Percusión, Piano, Violín I y II, Viola, Violoncello y Contrabajo.
  • NORTON RECORDED ANTHOLOGY OF WESTERN MUSIC. VOLUME ONE / ANTOLOGÍA NORTON DE MÚSICA OCCIDENTAL GRABADA. VOLUMEN UNO | BURKHOLDER, J. PETER; PALISCA, CLAUDE V. | Audio. | W. W. NORTON & COMPANY | Historia de la Música. | Oyente. | 1 - Epitaph of Seikilos. 2 - Euripides: Orestes, Stasimon chorus: a) Chromatic perfomance; b) Enharmonic perfomance. 3 - Mass for Christmas Day: a) Introit "Puer natus est nobis"; b) Kyrie; c) Gloria; d) Gradual "Viderunt omnes"; e) Alleluia "Dies sanctificatus"; f) Credo; g) Offertory "Tui sunt caeli"; h) Sanctus; i) Agnus Dei; j) Communion "Viderunt omnes"; k) Ite, missa est. 4 - Chants from Vespers for Christmas Day: a) First Psalm with Antiphon "Tecum principium" and psalm "Dixit Dominus"; b) Hymn "Christe Redemptor omnium". 5 - Ascribed to Wipo of Burgundy "Victimae paschali laudes". 6 - Tropes on "Puer natus: Quem queritis in presepe" and melisma. 7 - Hildegard of Bingen "Ordo virtutum": closing chorus, "In principio omnes". 8 - Bernart de Ventadorn: "Can vei la lauzeta mover". 9 - Comtessa de Dia: "A Chanter". 10 - Adam de la Halle: "Jesu de Robin et de Marion": Rondeau, "Robins m'aime". 11 - Walther von der Vogelweide: "Palästinalied (Nū alrēst lebe ich mir werde)". 12 - Cantiga 159: "Non sofre Santa Maria, from "Cantigas de Santa Maria". 13 - "La quarte estampie royal", from "Le manuscrit du roi". 14 - Organa from "Musica enchiriadis": a) "Tu patris sempiternus es filius"; b) "Sit gloria domini"; c) "Rex caeli domine". 15 - Alleluia Justus ut palma, from "Ad organum faciendum". 16 - "Jubilemus, exultemus". 17 - Leoninus and colleagues: "Viderunt omnes". 18 - Clausulae on "Dominus", from "Viderunt omnes": a) "Dominus", clausula N.º 26; b) "Dominus", clausula N.º 29. 19 - Perotinus: "Viderunt omnes". 20 - "Ave virgo virginum". 21 - Motets on Tenor "Dominus": a) "Factum est salutare / Dominus"; b) "Fole acostumance / Dominus; c) "Super te / Sed fulsit virginitas / Dominus. 22 - Adam de la Halle: "De ma dame vient / Dieus, comment porroie / Omnes. 23 - Petrus de Cruce: "Aucum ont trouvé / Lonc tans / Annuntiantes". 24 - "Sumer is icumen in". 25 - Philippe de Vitry: "Cum statua / Hugo, Hugo / Magister invidie". 26 - Guillaume de Machaut: "La Messe de Nostre Dame": a) Kyrie; b) Gloria. 27 - Guillaume de Machaut: "Douce dame jolie". 28 - Guillaume de Machaut: "Rose, liz, printemps, verdure". 29 - Philippus de Caserta: "En remirant vo douce pourtraiture". 30 - Jacopo da Bologna: "Non al suo amante". 31 - Francesco Landini: "Cosi pensoso". 32 - Francesco Landini: "Non avrà ma' pieta". 33 - "Alleluia: A newë work". 34 - John Dunstable: "Quam pulchra es". 35 -Binchois (Giles de Bins): "De plus en plus". 36 - Guillaume Du Fay: "Resvellies vous". 37 - Guillaume Du Fay: "Christe, redemptor omnium". 38 - Guillaume Du Fay: "Se la face ay pale": a) "Se la face ay pale"; b) "Missa Se la face ay pale / Gloria. 39 - Antoine Busnoys: Je ne puis vivre. 40 - Jean de Ockeghem: "Misa prolationum" / Kyrie. 41 - Henricus Isaac: "Innsbruck, ich muss dich lassen". 42 - Josquin Desprez: "Faulte d'argent. 43 - Josquin Desprez: "Mille regretz". 44 - Josquin Desprez: "Ave Maria... virgo serena". 45 - Josquin Desprez: "Missa Pange lingua": a) Kyrie; b) Credo, excerpt: "Et incarnatus est" and "Crucifixus". 46 - Martin Luther: "Nun komm, der Heiden" and "Ein feste Burg": a) Attributed to St. Ambrose / "Veni Redemptor gentium"; b) Martin Luther / "Nun komm, der Heiden Heiland"; c) Martin Luther: "Ein feste Burg"; d) Johann Walter / "Ein feste Burg". 47 - Loys Bourgeois: Psalm 134 ("Or sus, serviteurs du Seigneur"): a) Psalm 134, "Or sus, serviteurs du Seigneur"; b) William Kethe / Psalm 100, "All people that on earth do dwell". 48 - Thomas Tallis: "If ye love me". 49 - William Byrd: "Sing joyfully unto God". 50 - Nicolas Gombert: "Ave Regina caelorum". 51 - Giovanni Pierluigi da Palestrina: "Pope Marcellus Mass": a) Credo; b) Agnus Dei I. 52 - Tomás Luis de Victoria: "O magnum mysterium": a) "O magnum mysterium"; b) "Missa O magnum Mysterium / Kyrie. 53 - Orlande de Lassus: "Cum essem parvulus". 54 - uan del Encina: "Oy comamos y bebamos". 55 - Marchetto Cara: "Mal un muta per effecto". 56 - Jacques Arcadelt: "Il bianco e dolce cigno". 57 - Cipriano de Rore: "Da le belle contrade d'oriente". 58 - Luca Marenzio: "Solo e pensoso". 59 - Carlo Gesualdo: "Io parto" e non più dissi. 60 - Claudia de Sermisy: "Tant que vivray". 61 - Orlande de Lassus: "Lanuict froide et somber". 62 - Claude Le Jeune: "Revecy venir du printans". 63 - Thomas Morley: "My bonny lass she smileth". 64 - Thomas Weelkes: "As Vesta was". 65 - John Dowland: "Flow, my tears". 66 - Tielman Susato: Dances, from "Danserye": a) N.º 5 / Basse danse "La morisque"; b) N.º 38 / Pavane "La dona"; c) N.º 50 / Galliard "La dona". 67 - Anthony Holborne: Dances: a) "The Night Watch", almain; b) "The Fairie-round", galliard. 68 - Luis de Narváez: From "Los seys libros del Delphín": a) "Cancion Mille regres"; b) "Cuatro diferencias sobre Guárdame las vacas". 69 - William Byrd: "John come kiss me now". 70 - Giovanni Gabrieli: "Canzon septimi tono a 8", from Sacrae symponiae". 71 - Claudio Monteverdi: "Cruda Amarilli". 72 - Guilio Caccini: "Vedrò 'l mio sol". 73 - Jacopo Peri: "Le musiche sopra l'Euridice": Excerpts: a) Aria: "Nel pur ardor"; b) Dialogue in recitative: "Per quel vago boschetto". 74 - Claudio Monteverdi: "L'Orfeo": Excerpt from Act II: a) Aria-canzonzetta: "Vi ricorda o boschi ombrosi"; b) Song / "Mira, deh mira Orfeo"; c) Dialogue in recitative: "Ahi, caso acerbo"; d) Recitative: "Tu se' morta"; e) Choral madrigal: "Ahi, caso acerbo". 75 - Claudio Monteverdi: "L'incoronazione di Poppea", Act I, Scene 3: a) Dialogue in recitative / "Signor, deh non partire"; b) Aria / "In un sospir"; c) Aria / Signor, sempre mi vedi"; d) Dialogue in mixed styles / "Adorati miei rai". 76 - Antonio Cesti: "Orontea", Excerpt from Act II: a) Scene 16 / Recitative "E che si fa?"; b) Scene 17 / Opening aria "Intorno all' idol mio". 77 - Barbara Strozzi: "Lagrime mie". 78 - Giovanni Gabrieli: "In ecclesiis". 79 -Alessandro Grandi: "O quam tu pulchra es". 80 - Giacomo Carissimi: "Historia di Jephte": Excerpts: a) Recitative "Plorate colles"; b) Chorus "Plorate filii Israel". 81 - Heinrich Schütz: "Saul, was verfolgst du mich", SWV 415, from "Symphoniae sacrae III". 82 - Girolamo Frescobaldi: Toccata N.º 3. 83 - Girolamo Frescobaldi: Ricercare after the Credo, from "Mass for the Madonna", in "Fiori musicali". 84 - Biagio Marini: "Sonata IV per il violino per sonar con due corde". 85 - Jean-Baptiste Lully: "Armide": Excerpts: a) Overture; b) Conclusion of divertissement from Act II, Scene 4: "Laissons au tendre amour; c) Act II, Scene 5: "Enfin il est en ma puissance". 86 - Jean-Baptiste Lully: "Te Deum": Conclusion. 87 - Denis Gaultier: "La Coquette virtuose". 88 - Elisabeth-Claude Jacquet de la Guerre: Suite in A Minor, from "Pièces de clavecin": a) Prelude; b) Allemande; c) Courante I and II; d) Sarabande; e) Gigue; f) Chaconne; g) Gavotte; h) Menuet. 89 - Henry Purcell: "Dido and Aeneas": Conclusion: a) Recitative: "Thy hand, Belinda"; b) Lament: "What I am in earth"; c) Chorus: "With drooping wings". 90 - Tomás de Torrejón y Velasco: "La púrpura de la rosa": Excerpts: a) Dialogue in strophic song: "Y bien, ¿qué es lo que adviertes?; b) Chorus: "Corred, corred, cristales". 91 - Juan de Araujo: "Los conflades de la estleya". 92 - Alessandro Scarlatti: "Clori vezzosa, e bella": Conclusion: a) Recitative "Vivo penando"; b) Aria "Sì, sì ben mio". 93 - Alessandro Scarlatti: "La Griselda": Excerpt from Act I, Scene 2. 94 - Arcangelo Corelli: Trio Sonata, Op. 3, N.º 2: a) Grave; b) Allegro; c) Adagio; d) Allegro. 95 - Dieterich Buxtehude: Praeludium in E Major, BuxWV 141. 96 - Antonio Vivaldi: Concerto for Violin and Orchestra in A Minor, Op. 3, N.º 6: a) Allegro; b) Largo; c) Presto. 97 - François Couperin: "Vingt-cinquième ordre": Excerpts: a) "La visionaire"; b) "La muse victorieuse"; c) "Les ombres errantes". 98 - Jean-Philippe Rameau: "Hippolyste et Aricie", Act IV: Excerpt: a) Conclusion of Scne 3; b) Scene 4. 99 - Georg Philipp Telemann: "Paris" Quartet N.º 1 in G Major ("Concerto Primo), Movements 3-5: a) Presto; b) Largo; c) Allegro. 100 - Johann Sebastian Bach: Prelude and Fugue in A Minor, BWV 543: a) Prelude; b) Fugue. 101 - Johann Sebastian Bach: Chorale Prelude on "Durch Adams Fall", BWV 637. 102 - Johann Sebastian Bac: "The Well-Tempered Clavier", Book I: a) Prelude N.º 8 in D-sharp Minor; b) Fugue N.º 8 in D-sharp Minor. 103 - Johann Sebastian Bach: "Nun komm, der Heiden Heiland", BWV 62: Excerpt: a) N.º 1, Chorus: "Nun komm, der Heiden Heiland"; b) N.º 2, Aria: "Bewundert, o Menschen"; c) N.º 3, Recitative: "So geht aus Gottes Herrlichkeit und Thron"; d) N.º 4, Aria: "Strite, siege, starker Held!; e) N.º 5, Accompanied recitative: Wir ehren diese Herrlichkeit"; f) N.º 6, Chorale: "Lob sei Gott, dem Vater, ton. 104 - Johann Sebastian Bach: "St. Matthew Passion", BWV 244: Excerpt: a) N.º 36, Biblical narrative: "Und der Hohepriester antwortete; b) N.º 37, Chorale: "Wer hat dich so geschlagen"; c) N.º 38, Biblical narrative: "Petrus aber saβ drauβen im Palast; d) N.º 39, Aria: "Erbarme dich"; e) N.º 40, Chorale: "Bin ich gleich von dir gewichen". 105 - George Frideric Handel: "Giulio Cesare", Act II, Scenes 1-2: a) Recitative: "Eseguisti, oh Niren"; b) Aria: "V'adoro, pupille". 106 - George Frideric Handel: "Saul", Act II, Scene 10: a) N.º 66, Accompanied recitative: "The Time at length is come; b) N.º 67, Recitative: "Where is the Son of Jesse?; c) N.º 68, Chorus: "O fatal Consequence of Rage".
    008781
    NO PRESTABLE
  • NORTON RECORDED ANTHOLOGY OF WESTERN MUSIC. VOLUME TWO / ANTOLOGÍA NORTON DE MÚSICA OCCIDENTAL GRABADA. VOLUMEN DOS | BURKHOLDER, J. PETER (ed.); PALISCA, CLAUDE V. (ed.) | Audio. | W. W. NORTON & COMPANY | Historia de la Música. | Oyente. | 107 - Giovanni Battista Pergolesi: "La serva padrona": Excerpt: a) Recitative: "Ah, quanto mi sta male"; b) Aria: "Son imbrogliato io". 108 - Johann Adolf Hasse: "Cleofide", Act II, Scene 9: "Digli ch'io son fedele". 109 - John Gay: "The Beggar's Opera": Excerpt from Scene 13: a) Aria XV: "My heart was so free"; b) Aria XVI: Were I laid on Greenland's coast". 110 - Christoph Willibald Gluck: "Orfeo ed Euridice: Excerpt from Act II, Scene I. 111 - Giovanni Battista Pergolesi: "Stabat mater: Excerpt: a) N.º 4, Alto solo: "Quae maerebat et dolebat"; b) N.º 5, Duet: " Quis est homo". 112 - William Billings: "Creation,", from "The Contiental Harmony". 113 - Domenico Scarlatti: Sonata in D Major, K. 119. 114 - Carl Philipp Emanuel Bach: Sonata in A Major, H. 186, Wq. 55/4: Second movement, Poco Adagio. 115 - Giovanni Battista Sammartini: Symphony in F Major, N.º 32: First movement, Presto. 116 - Johann Stamitz: Sinfonia a 8 in E-flat Major, Op. 11, N.º 3: First movement, Allegro assai. 117 - Johann Christian Bach: Concerto for Harpsichord or Piano and Strings in E-flat Major, Op. 7, N.º 5: First movement, Allegro di molto. 118 - Joseph Haydn: String Quartet in E-flat Major, Op. 33, N.º 2 ("The Joke"), Hob. III: 38: a) First movement, Allegro moderato, cantabile; b) Second movement, Scherzo: Allegro; c) Third movement, Largo sostenuto; d) Fourth movement, Finale: Presto. 119 - Joseph Haydn : Symphony N.º 88 in G Major, Hob. 1:88: a) First movement, Adagio - Allegro; b) Second movement, Largo; c) Third movement, Menuetto, Allegretto; d) Fourth movement, Finale: Allegro con spirito. 120 - Joseph Haydn: "The Creation": N.º 2, "In the beginning God". 121 - Wolfgang Amadeus Mozart: Piano Sonata in F Major, K. 332: First movement, Allegro. 122 - Wolfgang Amadeus Mozart: Piano Concerto in A Major, K. 488: First movement, Allegro. 123 - Wolfgang Amadeus Mozart: Symphony N.º 41 in C Major ("Jupoter") K. 551: Finale. 124 - Wolfgang Amadeus Mozart: Don Giovanni, Act I: a) Scene 1; b) Scene 2. 125 - Ludwig van Beethoven: Piano Sonata in C Minor, Op. 13 ("Pathétique"): First movement. 126 - Ludwig van Beethoven: Symphony N.º 3 in E-flat Major, Op. 55 ("Eroica"): First movement, Allegro con brio. 127 - Ludwig van Beethoven: String Quartet in C-sharp Minor, Op. 131 (NAWM 127): a) First movement, Adagio ma non troppo e molto espressivo; b) Second movement, Allegro molto vivace. 128 - Franz Schubert: "Gretchen am Spinnrade", D. 118. 129 - Franz Schubert: "Winterreise" D. 911, N.º 5: "Der Lindenbaum". 130 - Robert Schumann: "Dichterliebe", Op. 48, N.º 1: "Im wunderschönen Monat Mai".131 - Stephen Foster: "Jeanie with the Light Brown Hair. 132 - Robert Schumann: "Carnaval", Op. 9: Excerpts: a) N.º 5: "Eusebius"; b) N.º 6: "Florestan"; c) N.º 7: "Coquette". 133 - Fanny Mendelssohn Hensel, "Das Jahr", N.º 12: "December". 134 - Fryderyk Chopin: Mazurka in B-flat Major, Op. 7, N.º 1. 135 - Fryderyk Chopin: Nocturne in D-flat Major, Op. 27, N.º 2. 136 - Franz Liszt: "Trois études de concert", N.º 3: "Un sospiro". 137 - Louis Moreau Gottschalk: "Souvenir de Porto Rico" ("Marches des Gibaros"), Op. 31. 138 - Hector Berlioz: "Symphonie fantastique": Fifth movement, "Dream of a Witches' Sabbath". 139 - Felix Mendelssohn: Violin Concerto in E Minor, Op. 64: First movement, Allegro molto appassionato. 140 - Robert Schumann: Symphony N.º 4 in D Minor, Op. 120: "First movement, Ziemlich langsam-Lebhaft. 141 - Franz Schubert: String Quintet in C Major, D. 956: First movement, Allegro ma non troppo. 142 - Clara Schumann: Piano Trio in G Minor, Op. 17: Third movement, Andante. 143 - Felix Mendelssohn: "Elijah", Op. 70: Chorus, "And then shall your light break forth. 144 - Franz Shubert: "Die Nacht", Op. 17, N.º 4, D. 983c. 145 - Gioachino Rossini: "Il barbiere di Siviglia": Act I, N.º 7: "Una voce poco fa". 146 - Vincenzo Bellini: "Norma": Act I, Scene 4, excerpt: "Casta diva". 147 - Giacomo Meyerbeer: "Les Huguenots": Conclusion of Act II: a) Orchestral introduction and scene: Entrée de la Cour (Entrance of the Court), "Oui, d'un heureux hymen"; b) Slow section: Serment (Oath), "Par d'honneur"; c) Accompanied recitative: Scène (Scene), "Et maintenant"; d) Fast conclusion: Strette (Stretta), "O Transport!". 148 - Carl Maria von Weber: "Der Freischütz": Act II, Finale, Wolf's Glen Scene: a) Chorus and dialogue: "Milch des Mondes fiel aufs Hraut; b) Accompanied recitative with spoken dialogue: "Trefflich bedient!"; c) Melodrama: "Schütze, der im Dunkeln wacht". 149 - Richard Wagner: "Tristan und Isolde": Excerpts: a) Prelude to Act I; b) Conclusion of Act I, Scene 5. 150 - Giuseppe Verdi: "La traviata", Act III, Scena and Duet: a) Scena: "Signora"; b) Tempo d'attacco: "Colpevol sono"; c) Cantabile: "Parigi, o caro"; d) Tempo di mezzo: "Ah non più"; e) Cabaletta: "Ah! Gran Dio! Morir sì giovane". 151 - Giacomo Puccini: Madama Butterfly: Excerpt from Act I. 152 - Georges Bizet: "Carmen": Act I, N.º 10, Seguidilla and Duet. 153 - Modest Musorgsky: "Boris Godunov": Coronation Scene. 154 - Arthur Sullivan: "The Pirates of Penzance": Act II, N.º 17: "When the foeman bears his steel". 155 - Johannes Brahms: Symphony N.º 4 in E Minor, Op. 98: Fourth movement, Allegro anergico e passionate. 156 - Johannes Brahms: Quintet for Piano and Strings in F Minor, Op. 34: First movement, Allegro non troppo. 157 - Anton Bruckner: "Virga Jesse". 158 - Richard Strauss: "Don Quixote", Op. 35: Themes and Variatios 1-2. 159 - Gabriel Fauré: "Avant que tu ne t'en ailles", from "La bonne chanson", Op. 61, N.º 6. 160 - Piotr Il'yich Tchaikovsky: Symphony N.º 6 in B Minor ("Pathétique"), Op. 74: Third movement, Allegro molto vivace. 161 - Antonín Dvořak: "Slavonic Dances", Op. 46, N.º 1, Presto. 162 - Amy Beach: Piano Quintet in F-sharp minor, Op. 67: Third movement, Allegro agitato. 163 - John Philip Sousa: "The Stars and Stripes Forever".
    008782
    NO PRESTABLE

Páginas