EXERCICES / EJERCICIOS

TABLE OF CONTENTS: Biography, Discography. Prologue. The Sound. Regularity of Sound. Intonation. Exercices in regularity of the Sound and Intonation: Focusing the Embouchure; Going from the Low to the Middle Register; Practising Octaves for Intonation; Focusing the Embouchure; Vocalisations; Exercise for regularity and Intonation in Pianissimo; Exercise to Develop the Roundness of the ound. Tonguing Exercises: Tonguing (Recercada Segunda by D. Ortiz); Tonguing in the Top Register (The 4th Symphonie by P. I. Tchaikovski); Double Tonguing; Study in Tonguing; Application of brilliant lively Tonguing (l'Arlésienne by G. Bizet,Sémiramis by G. Rossini); Staccato (Coppélia by L. Delibes, Harold in Italy by H. Berlioz, La Damnation de Faust, by H. Berlioz); Special Cases: extreme rapidity (Schéhérazade by N. A. Rimski-Korsakov). Technique: For Finger Articulation; Difficult Finger Passages. The High Register Slurred in Pianissimo: The High RegisterSlurred, Applocation (Seminamis by G. Rossini, The Thieving Magpie by G. Rossini). Intonation in the High Register (The 9th Symphony Op. 125 by L. v. Beethoven). Intonation with Two Piccolos (Carmen by G. Bizet). Rapid Trills in Quick Passages (The Symphony Fantastique by H. Berlioz). A Few Tips.