Consulta de depósitos
- NEUE AUSGABE SÄMTLICHER WERKE.KLAVIERMUSIK | MOZART, WOLFGANG AMADEUS | Libro | BÄRENREITER | NO PRESTABLE
- NEUE AUSGABE SÄMTLICHER WERKE.ORCHESTERWERKE I | MOZART, WOLFGANG AMADEUS | Libro | BÄRENREITER | NO PRESTABLE
- NEUGE AUSGABE SÄNTLICHER WERKE 12. ORCHESTERWERKE II | MOZART, WOLFGANG AMADEUS | Libro | BÄRENREITER | NO PRESTABLE
- NEVE MUSIK. HEFT 9. NEVE VIOLIN DUOS | DOFLEIN, ERICH | Libro
- NEW METHOD FOR THE DOUBLE BASS | SIMANDL, F. | Libro | FISCHER
- NEW METHOD FOR THE DOUBLE BASS. BOOK II | SIMANDL, F. | Libro | FISCHER
- NEW TUNES FOR STRINGS. BOOK ONE | FLETCHER, STANLEY | Libro
- NEW TUNES FOR STRINGS. TEACHER S BOOK ONE | FLETCHER, STANLEY | Libro
- NEW TUNES FOR STRINGS. VIOLIN. BOOK TWO | FLETCHER, STANLEY | Libro
- NEW TYNES STRINGS | FLETCHER, STANLEY | Libro | BOOSEY & HAWKES
- NIGHT IN THE BARE MOUNTAIN | MUSSORGSKY, MODEST | Libro | EULENBURG
- NIGHT ON BALD MOUNTAIN | MUSSORGSKY, MODEST | Libro | MASTERS MUSIC PUBLICATIONS
- NIGHT TRAIN | FORREST, JIMMY | Libro
- NINE STUDIES FOR TROMBONE | PFLEGER | Libro | I.M.C.
- NINETEENTH-CENTURY EURIPEAN PIANO MUSIK | GILLESPIE, JOHN | Libro | DOVER
- NOCHE DE PAZ Y CINCO VILLANCICOS MÁS | ASINS ARBÓ, MIGUEL | Libro | REAL MUSICAL
- NOCHE DE PAZ Y CINCO VILLANCICOS MÁS | ASINS ARBÓ, MIGUEL | Libro | REAL MUSICAL
- NOCTURNE AND MARCH | MENDELSSOHN, FELIX | Libro | ALFRED
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NOCTURNE D'AUTOMNE
LEGIDO, JESÚS | Partitura | UNIVERSIDAD DE ALCALÁ DE HENARES | Música de Cámara. | Música de cámara. Dúo. Flauta y Guitarra. | Encargo del centro para la difusión de la música contemporáneaLargo e tenuto, ma sempre rubato - Moderato semplice - Tempo Iº (Moderato) - Andante cantabile - Andante a la berceuse - Tempo Iº (Moderato)
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NOCTURNES
CHOPIN, FREDERIC | Partitura | KÖNEMANN MUSIC BUDAPESTTrois Nocturnes, Op. 9. Trois Nocturnes, Op. 15. Deux Nocturnes, Op. 27. Deux Nocturnes, Op. 32. Deux Nocturnes, Op. 37. Deux Nocturnes, Op. 48. Deux Nocturnes, Op. 55. Deux Nocturnes, Op. 62. Nocturne, BI 49, Nocturne, Op. post. 72, nº 1. Nocturne,
- NOCTURNES | DEBUSSY, CLAUDE | Libro | MÚSICA BUDAPEST
- NOCTURNO | MORENO TORROBA, FEDERICO | Libro | SCHOTT
- NOCTURNOS | ZARATE, JOSÉ | Libro | para piano
- NOCTURNOS | FAURE, GABRIEL | Libro | IN.MUSIC.COMP
- NOCTURNOS | CHOPIN, FREDERIC | Libro | PADEREWSKY
- NOCTURNOS DE BARATARIA | ZARATE, JOSÉ | Libro | DIPUTACIÓN PROVINCIAL DE TOLEDO | para piano
- NON SILENTE | PÉREZ MASEDA, EDUARDO | Partitura | JUAN MARCH | Música de Cámara. | Música de cámara. Noneto. Clarinete sib, Trompa fa, Percusión, Piano, Violín I y II, Viola, Violoncello y Contrabajo.
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NORTON RECORDED ANTHOLOGY OF WESTERN MUSIC. VOLUME ONE / ANTOLOGÍA NORTON DE MÚSICA OCCIDENTAL GRABADA. VOLUMEN UNO
BURKHOLDER, J. PETER; PALISCA, CLAUDE V. | Audio. | W. W. NORTON & COMPANY | Historia de la Música. | Oyente. | 1 - Epitaph of Seikilos. 2 - Euripides: Orestes, Stasimon chorus: a) Chromatic perfomance; b) Enharmonic perfomance. 3 - Mass for Christmas Day: a) Introit "Puer natus est nobis"; b) Kyrie; c) Gloria; d) Gradual "Viderunt omnes"; e) Alleluia "Dies sanctificatus"; f) Credo; g) Offertory "Tui sunt caeli"; h) Sanctus; i) Agnus Dei; j) Communion "Viderunt omnes"; k) Ite, missa est. 4 - Chants from Vespers for Christmas Day: a) First Psalm with Antiphon "Tecum principium" and psalm "Dixit Dominus"; b) Hymn "Christe Redemptor omnium". 5 - Ascribed to Wipo of Burgundy "Victimae paschali laudes". 6 - Tropes on "Puer natus: Quem queritis in presepe" and melisma. 7 - Hildegard of Bingen "Ordo virtutum": closing chorus, "In principio omnes". 8 - Bernart de Ventadorn: "Can vei la lauzeta mover". 9 - Comtessa de Dia: "A Chanter". 10 - Adam de la Halle: "Jesu de Robin et de Marion": Rondeau, "Robins m'aime". 11 - Walther von der Vogelweide: "Palästinalied (Nū alrēst lebe ich mir werde)". 12 - Cantiga 159: "Non sofre Santa Maria, from "Cantigas de Santa Maria". 13 - "La quarte estampie royal", from "Le manuscrit du roi". 14 - Organa from "Musica enchiriadis": a) "Tu patris sempiternus es filius"; b) "Sit gloria domini"; c) "Rex caeli domine". 15 - Alleluia Justus ut palma, from "Ad organum faciendum". 16 - "Jubilemus, exultemus". 17 - Leoninus and colleagues: "Viderunt omnes". 18 - Clausulae on "Dominus", from "Viderunt omnes": a) "Dominus", clausula N.º 26; b) "Dominus", clausula N.º 29. 19 - Perotinus: "Viderunt omnes". 20 - "Ave virgo virginum". 21 - Motets on Tenor "Dominus": a) "Factum est salutare / Dominus"; b) "Fole acostumance / Dominus; c) "Super te / Sed fulsit virginitas / Dominus. 22 - Adam de la Halle: "De ma dame vient / Dieus, comment porroie / Omnes. 23 - Petrus de Cruce: "Aucum ont trouvé / Lonc tans / Annuntiantes". 24 - "Sumer is icumen in". 25 - Philippe de Vitry: "Cum statua / Hugo, Hugo / Magister invidie". 26 - Guillaume de Machaut: "La Messe de Nostre Dame": a) Kyrie; b) Gloria. 27 - Guillaume de Machaut: "Douce dame jolie". 28 - Guillaume de Machaut: "Rose, liz, printemps, verdure". 29 - Philippus de Caserta: "En remirant vo douce pourtraiture". 30 - Jacopo da Bologna: "Non al suo amante". 31 - Francesco Landini: "Cosi pensoso". 32 - Francesco Landini: "Non avrà ma' pieta". 33 - "Alleluia: A newë work". 34 - John Dunstable: "Quam pulchra es". 35 -Binchois (Giles de Bins): "De plus en plus". 36 - Guillaume Du Fay: "Resvellies vous". 37 - Guillaume Du Fay: "Christe, redemptor omnium". 38 - Guillaume Du Fay: "Se la face ay pale": a) "Se la face ay pale"; b) "Missa Se la face ay pale / Gloria. 39 - Antoine Busnoys: Je ne puis vivre. 40 - Jean de Ockeghem: "Misa prolationum" / Kyrie. 41 - Henricus Isaac: "Innsbruck, ich muss dich lassen". 42 - Josquin Desprez: "Faulte d'argent. 43 - Josquin Desprez: "Mille regretz". 44 - Josquin Desprez: "Ave Maria... virgo serena". 45 - Josquin Desprez: "Missa Pange lingua": a) Kyrie; b) Credo, excerpt: "Et incarnatus est" and "Crucifixus". 46 - Martin Luther: "Nun komm, der Heiden" and "Ein feste Burg": a) Attributed to St. Ambrose / "Veni Redemptor gentium"; b) Martin Luther / "Nun komm, der Heiden Heiland"; c) Martin Luther: "Ein feste Burg"; d) Johann Walter / "Ein feste Burg". 47 - Loys Bourgeois: Psalm 134 ("Or sus, serviteurs du Seigneur"): a) Psalm 134, "Or sus, serviteurs du Seigneur"; b) William Kethe / Psalm 100, "All people that on earth do dwell". 48 - Thomas Tallis: "If ye love me". 49 - William Byrd: "Sing joyfully unto God". 50 - Nicolas Gombert: "Ave Regina caelorum". 51 - Giovanni Pierluigi da Palestrina: "Pope Marcellus Mass": a) Credo; b) Agnus Dei I. 52 - Tomás Luis de Victoria: "O magnum mysterium": a) "O magnum mysterium"; b) "Missa O magnum Mysterium / Kyrie. 53 - Orlande de Lassus: "Cum essem parvulus". 54 - uan del Encina: "Oy comamos y bebamos". 55 - Marchetto Cara: "Mal un muta per effecto". 56 - Jacques Arcadelt: "Il bianco e dolce cigno". 57 - Cipriano de Rore: "Da le belle contrade d'oriente". 58 - Luca Marenzio: "Solo e pensoso". 59 - Carlo Gesualdo: "Io parto" e non più dissi. 60 - Claudia de Sermisy: "Tant que vivray". 61 - Orlande de Lassus: "Lanuict froide et somber". 62 - Claude Le Jeune: "Revecy venir du printans". 63 - Thomas Morley: "My bonny lass she smileth". 64 - Thomas Weelkes: "As Vesta was". 65 - John Dowland: "Flow, my tears". 66 - Tielman Susato: Dances, from "Danserye": a) N.º 5 / Basse danse "La morisque"; b) N.º 38 / Pavane "La dona"; c) N.º 50 / Galliard "La dona". 67 - Anthony Holborne: Dances: a) "The Night Watch", almain; b) "The Fairie-round", galliard. 68 - Luis de Narváez: From "Los seys libros del Delphín": a) "Cancion Mille regres"; b) "Cuatro diferencias sobre Guárdame las vacas". 69 - William Byrd: "John come kiss me now". 70 - Giovanni Gabrieli: "Canzon septimi tono a 8", from Sacrae symponiae". 71 - Claudio Monteverdi: "Cruda Amarilli". 72 - Guilio Caccini: "Vedrò 'l mio sol". 73 - Jacopo Peri: "Le musiche sopra l'Euridice": Excerpts: a) Aria: "Nel pur ardor"; b) Dialogue in recitative: "Per quel vago boschetto". 74 - Claudio Monteverdi: "L'Orfeo": Excerpt from Act II: a) Aria-canzonzetta: "Vi ricorda o boschi ombrosi"; b) Song / "Mira, deh mira Orfeo"; c) Dialogue in recitative: "Ahi, caso acerbo"; d) Recitative: "Tu se' morta"; e) Choral madrigal: "Ahi, caso acerbo". 75 - Claudio Monteverdi: "L'incoronazione di Poppea", Act I, Scene 3: a) Dialogue in recitative / "Signor, deh non partire"; b) Aria / "In un sospir"; c) Aria / Signor, sempre mi vedi"; d) Dialogue in mixed styles / "Adorati miei rai". 76 - Antonio Cesti: "Orontea", Excerpt from Act II: a) Scene 16 / Recitative "E che si fa?"; b) Scene 17 / Opening aria "Intorno all' idol mio". 77 - Barbara Strozzi: "Lagrime mie". 78 - Giovanni Gabrieli: "In ecclesiis". 79 -Alessandro Grandi: "O quam tu pulchra es". 80 - Giacomo Carissimi: "Historia di Jephte": Excerpts: a) Recitative "Plorate colles"; b) Chorus "Plorate filii Israel". 81 - Heinrich Schütz: "Saul, was verfolgst du mich", SWV 415, from "Symphoniae sacrae III". 82 - Girolamo Frescobaldi: Toccata N.º 3. 83 - Girolamo Frescobaldi: Ricercare after the Credo, from "Mass for the Madonna", in "Fiori musicali". 84 - Biagio Marini: "Sonata IV per il violino per sonar con due corde". 85 - Jean-Baptiste Lully: "Armide": Excerpts: a) Overture; b) Conclusion of divertissement from Act II, Scene 4: "Laissons au tendre amour; c) Act II, Scene 5: "Enfin il est en ma puissance". 86 - Jean-Baptiste Lully: "Te Deum": Conclusion. 87 - Denis Gaultier: "La Coquette virtuose". 88 - Elisabeth-Claude Jacquet de la Guerre: Suite in A Minor, from "Pièces de clavecin": a) Prelude; b) Allemande; c) Courante I and II; d) Sarabande; e) Gigue; f) Chaconne; g) Gavotte; h) Menuet. 89 - Henry Purcell: "Dido and Aeneas": Conclusion: a) Recitative: "Thy hand, Belinda"; b) Lament: "What I am in earth"; c) Chorus: "With drooping wings". 90 - Tomás de Torrejón y Velasco: "La púrpura de la rosa": Excerpts: a) Dialogue in strophic song: "Y bien, ¿qué es lo que adviertes?; b) Chorus: "Corred, corred, cristales". 91 - Juan de Araujo: "Los conflades de la estleya". 92 - Alessandro Scarlatti: "Clori vezzosa, e bella": Conclusion: a) Recitative "Vivo penando"; b) Aria "Sì, sì ben mio". 93 - Alessandro Scarlatti: "La Griselda": Excerpt from Act I, Scene 2. 94 - Arcangelo Corelli: Trio Sonata, Op. 3, N.º 2: a) Grave; b) Allegro; c) Adagio; d) Allegro. 95 - Dieterich Buxtehude: Praeludium in E Major, BuxWV 141. 96 - Antonio Vivaldi: Concerto for Violin and Orchestra in A Minor, Op. 3, N.º 6: a) Allegro; b) Largo; c) Presto. 97 - François Couperin: "Vingt-cinquième ordre": Excerpts: a) "La visionaire"; b) "La muse victorieuse"; c) "Les ombres errantes". 98 - Jean-Philippe Rameau: "Hippolyste et Aricie", Act IV: Excerpt: a) Conclusion of Scne 3; b) Scene 4. 99 - Georg Philipp Telemann: "Paris" Quartet N.º 1 in G Major ("Concerto Primo), Movements 3-5: a) Presto; b) Largo; c) Allegro. 100 - Johann Sebastian Bach: Prelude and Fugue in A Minor, BWV 543: a) Prelude; b) Fugue. 101 - Johann Sebastian Bach: Chorale Prelude on "Durch Adams Fall", BWV 637. 102 - Johann Sebastian Bac: "The Well-Tempered Clavier", Book I: a) Prelude N.º 8 in D-sharp Minor; b) Fugue N.º 8 in D-sharp Minor. 103 - Johann Sebastian Bach: "Nun komm, der Heiden Heiland", BWV 62: Excerpt: a) N.º 1, Chorus: "Nun komm, der Heiden Heiland"; b) N.º 2, Aria: "Bewundert, o Menschen"; c) N.º 3, Recitative: "So geht aus Gottes Herrlichkeit und Thron"; d) N.º 4, Aria: "Strite, siege, starker Held!; e) N.º 5, Accompanied recitative: Wir ehren diese Herrlichkeit"; f) N.º 6, Chorale: "Lob sei Gott, dem Vater, ton. 104 - Johann Sebastian Bach: "St. Matthew Passion", BWV 244: Excerpt: a) N.º 36, Biblical narrative: "Und der Hohepriester antwortete; b) N.º 37, Chorale: "Wer hat dich so geschlagen"; c) N.º 38, Biblical narrative: "Petrus aber saβ drauβen im Palast; d) N.º 39, Aria: "Erbarme dich"; e) N.º 40, Chorale: "Bin ich gleich von dir gewichen". 105 - George Frideric Handel: "Giulio Cesare", Act II, Scenes 1-2: a) Recitative: "Eseguisti, oh Niren"; b) Aria: "V'adoro, pupille". 106 - George Frideric Handel: "Saul", Act II, Scene 10: a) N.º 66, Accompanied recitative: "The Time at length is come; b) N.º 67, Recitative: "Where is the Son of Jesse?; c) N.º 68, Chorus: "O fatal Consequence of Rage". | NO PRESTABLEAncient to Baroque.
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NORTON RECORDED ANTHOLOGY OF WESTERN MUSIC. VOLUME TWO / ANTOLOGÍA NORTON DE MÚSICA OCCIDENTAL GRABADA. VOLUMEN DOS
BURKHOLDER, J. PETER (ed.); PALISCA, CLAUDE V. (ed.) | Audio. | W. W. NORTON & COMPANY | Historia de la Música. | Oyente. | 107 - Giovanni Battista Pergolesi: "La serva padrona": Excerpt: a) Recitative: "Ah, quanto mi sta male"; b) Aria: "Son imbrogliato io". 108 - Johann Adolf Hasse: "Cleofide", Act II, Scene 9: "Digli ch'io son fedele". 109 - John Gay: "The Beggar's Opera": Excerpt from Scene 13: a) Aria XV: "My heart was so free"; b) Aria XVI: Were I laid on Greenland's coast". 110 - Christoph Willibald Gluck: "Orfeo ed Euridice: Excerpt from Act II, Scene I. 111 - Giovanni Battista Pergolesi: "Stabat mater: Excerpt: a) N.º 4, Alto solo: "Quae maerebat et dolebat"; b) N.º 5, Duet: " Quis est homo". 112 - William Billings: "Creation,", from "The Contiental Harmony". 113 - Domenico Scarlatti: Sonata in D Major, K. 119. 114 - Carl Philipp Emanuel Bach: Sonata in A Major, H. 186, Wq. 55/4: Second movement, Poco Adagio. 115 - Giovanni Battista Sammartini: Symphony in F Major, N.º 32: First movement, Presto. 116 - Johann Stamitz: Sinfonia a 8 in E-flat Major, Op. 11, N.º 3: First movement, Allegro assai. 117 - Johann Christian Bach: Concerto for Harpsichord or Piano and Strings in E-flat Major, Op. 7, N.º 5: First movement, Allegro di molto. 118 - Joseph Haydn: String Quartet in E-flat Major, Op. 33, N.º 2 ("The Joke"), Hob. III: 38: a) First movement, Allegro moderato, cantabile; b) Second movement, Scherzo: Allegro; c) Third movement, Largo sostenuto; d) Fourth movement, Finale: Presto. 119 - Joseph Haydn : Symphony N.º 88 in G Major, Hob. 1:88: a) First movement, Adagio - Allegro; b) Second movement, Largo; c) Third movement, Menuetto, Allegretto; d) Fourth movement, Finale: Allegro con spirito. 120 - Joseph Haydn: "The Creation": N.º 2, "In the beginning God". 121 - Wolfgang Amadeus Mozart: Piano Sonata in F Major, K. 332: First movement, Allegro. 122 - Wolfgang Amadeus Mozart: Piano Concerto in A Major, K. 488: First movement, Allegro. 123 - Wolfgang Amadeus Mozart: Symphony N.º 41 in C Major ("Jupoter") K. 551: Finale. 124 - Wolfgang Amadeus Mozart: Don Giovanni, Act I: a) Scene 1; b) Scene 2. 125 - Ludwig van Beethoven: Piano Sonata in C Minor, Op. 13 ("Pathétique"): First movement. 126 - Ludwig van Beethoven: Symphony N.º 3 in E-flat Major, Op. 55 ("Eroica"): First movement, Allegro con brio. 127 - Ludwig van Beethoven: String Quartet in C-sharp Minor, Op. 131 (NAWM 127): a) First movement, Adagio ma non troppo e molto espressivo; b) Second movement, Allegro molto vivace. 128 - Franz Schubert: "Gretchen am Spinnrade", D. 118. 129 - Franz Schubert: "Winterreise" D. 911, N.º 5: "Der Lindenbaum". 130 - Robert Schumann: "Dichterliebe", Op. 48, N.º 1: "Im wunderschönen Monat Mai".131 - Stephen Foster: "Jeanie with the Light Brown Hair. 132 - Robert Schumann: "Carnaval", Op. 9: Excerpts: a) N.º 5: "Eusebius"; b) N.º 6: "Florestan"; c) N.º 7: "Coquette". 133 - Fanny Mendelssohn Hensel, "Das Jahr", N.º 12: "December". 134 - Fryderyk Chopin: Mazurka in B-flat Major, Op. 7, N.º 1. 135 - Fryderyk Chopin: Nocturne in D-flat Major, Op. 27, N.º 2. 136 - Franz Liszt: "Trois études de concert", N.º 3: "Un sospiro". 137 - Louis Moreau Gottschalk: "Souvenir de Porto Rico" ("Marches des Gibaros"), Op. 31. 138 - Hector Berlioz: "Symphonie fantastique": Fifth movement, "Dream of a Witches' Sabbath". 139 - Felix Mendelssohn: Violin Concerto in E Minor, Op. 64: First movement, Allegro molto appassionato. 140 - Robert Schumann: Symphony N.º 4 in D Minor, Op. 120: "First movement, Ziemlich langsam-Lebhaft. 141 - Franz Schubert: String Quintet in C Major, D. 956: First movement, Allegro ma non troppo. 142 - Clara Schumann: Piano Trio in G Minor, Op. 17: Third movement, Andante. 143 - Felix Mendelssohn: "Elijah", Op. 70: Chorus, "And then shall your light break forth. 144 - Franz Shubert: "Die Nacht", Op. 17, N.º 4, D. 983c. 145 - Gioachino Rossini: "Il barbiere di Siviglia": Act I, N.º 7: "Una voce poco fa". 146 - Vincenzo Bellini: "Norma": Act I, Scene 4, excerpt: "Casta diva". 147 - Giacomo Meyerbeer: "Les Huguenots": Conclusion of Act II: a) Orchestral introduction and scene: Entrée de la Cour (Entrance of the Court), "Oui, d'un heureux hymen"; b) Slow section: Serment (Oath), "Par d'honneur"; c) Accompanied recitative: Scène (Scene), "Et maintenant"; d) Fast conclusion: Strette (Stretta), "O Transport!". 148 - Carl Maria von Weber: "Der Freischütz": Act II, Finale, Wolf's Glen Scene: a) Chorus and dialogue: "Milch des Mondes fiel aufs Hraut; b) Accompanied recitative with spoken dialogue: "Trefflich bedient!"; c) Melodrama: "Schütze, der im Dunkeln wacht". 149 - Richard Wagner: "Tristan und Isolde": Excerpts: a) Prelude to Act I; b) Conclusion of Act I, Scene 5. 150 - Giuseppe Verdi: "La traviata", Act III, Scena and Duet: a) Scena: "Signora"; b) Tempo d'attacco: "Colpevol sono"; c) Cantabile: "Parigi, o caro"; d) Tempo di mezzo: "Ah non più"; e) Cabaletta: "Ah! Gran Dio! Morir sì giovane". 151 - Giacomo Puccini: Madama Butterfly: Excerpt from Act I. 152 - Georges Bizet: "Carmen": Act I, N.º 10, Seguidilla and Duet. 153 - Modest Musorgsky: "Boris Godunov": Coronation Scene. 154 - Arthur Sullivan: "The Pirates of Penzance": Act II, N.º 17: "When the foeman bears his steel". 155 - Johannes Brahms: Symphony N.º 4 in E Minor, Op. 98: Fourth movement, Allegro anergico e passionate. 156 - Johannes Brahms: Quintet for Piano and Strings in F Minor, Op. 34: First movement, Allegro non troppo. 157 - Anton Bruckner: "Virga Jesse". 158 - Richard Strauss: "Don Quixote", Op. 35: Themes and Variatios 1-2. 159 - Gabriel Fauré: "Avant que tu ne t'en ailles", from "La bonne chanson", Op. 61, N.º 6. 160 - Piotr Il'yich Tchaikovsky: Symphony N.º 6 in B Minor ("Pathétique"), Op. 74: Third movement, Allegro molto vivace. 161 - Antonín Dvořak: "Slavonic Dances", Op. 46, N.º 1, Presto. 162 - Amy Beach: Piano Quintet in F-sharp minor, Op. 67: Third movement, Allegro agitato. 163 - John Philip Sousa: "The Stars and Stripes Forever". | NO PRESTABLEClassic to Romantic.
- NORWEGISCHE TANZE | GRIEG, EDUARD | Libro | SCHOTT
